An Aesthetic Education

This was my conversion to the baroque.
jaded-mandarin:

Antonio Gentile. Design for the Base of the Silver Crucifix for the High Altar of Saint Peter’s, Rome, 1670-72.

jaded-mandarin:

Antonio Gentile. Design for the Base of the Silver Crucifix for the High Altar of Saint Peter’s, Rome, 1670-72.

Monument to Louis XV
Rouen, Haute-Normandie

Monument to Louis XV

Rouen, Haute-Normandie

vivelareine:

Detail of a portrait of Charles-Philippe de France, the comte d’Artois and his sister, Madame Clotilde by Francois-Hubert Drouais. 18th century.(C) RMN-Grand Palais (musée du Louvre) / Gérard Blot

vivelareine:

Detail of a portrait of Charles-Philippe de France, the comte d’Artois and his sister, Madame Clotilde by Francois-Hubert Drouais. 18th century.

(C) RMN-Grand Palais (musée du Louvre) / Gérard Blot

(via courtroyale)

jaded-mandarin:

Sir Joshua Reynolds. Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787.

jaded-mandarin:

Sir Joshua Reynolds. Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787.

courtroyale:

Chateau de Vaux le Vicomte
France

courtroyale:

Chateau de Vaux le Vicomte

France

tierradentro:

“Allegory of the Catholic Faith”, c.1670-72, Johannes Vermeer. (via)

tierradentro:

“Allegory of the Catholic Faith”, c.1670-72, Johannes Vermeer. (via)

(via jaded-mandarin)

thehistoryfix:

“[T]here can be little doubt that the Restoration did not really restore.  Charles II was never in the old sense a King; he was a Leader of the Opposition to his own Ministers.  Because he was a clever politician he kept his official post, and because his brother and successor was an incredibly stupid politician, he lost it; but the throne was already only one of the official posts.”
-G.K. Chesterton, A Short History of England (1917)
(Anonymous 17th-century painting of Charles II and James II)

thehistoryfix:

“[T]here can be little doubt that the Restoration did not really restore.  Charles II was never in the old sense a King; he was a Leader of the Opposition to his own Ministers.  Because he was a clever politician he kept his official post, and because his brother and successor was an incredibly stupid politician, he lost it; but the throne was already only one of the official posts.”

-G.K. Chesterton, A Short History of England (1917)

(Anonymous 17th-century painting of Charles II and James II)

thestuartkings:


Catherine of Braganza

Queen of England, wife of Charles II.

thestuartkings:

Catherine of Braganza

Queen of England, wife of Charles II.

1785 Portrait of Victoire Pauline de Riquet de Caraman (1764-1834), wife of Jean Louis, Vicomte de Vaudreuil (1763-1816) by Louise Élisabeth Vigée Le Brun (16 April 1755 – 30 March 1842), the most important female painter of the 18th century and court painter to Queen Marie Antoinette.

1785 Portrait of Victoire Pauline de Riquet de Caraman (1764-1834), wife of Jean Louis, Vicomte de Vaudreuil (1763-1816) by Louise Élisabeth Vigée Le Brun (16 April 1755 – 30 March 1842), the most important female painter of the 18th century and court painter to Queen Marie Antoinette.

spanishbaroqueart:

Altarpiece with ‘The Immaculate Conception of Monterrey’ and ‘The Pietà’ by Jusepe de Ribera (1635)
Church of La Purísima - Convent of Agustinas Recoletas de Monterrey, Salamanca, Spain

spanishbaroqueart:

Altarpiece with ‘The Immaculate Conception of Monterrey’ and ‘The Pietà’ by Jusepe de Ribera (1635)

Church of La Purísima - Convent of Agustinas Recoletas de Monterrey, Salamanca, Spain